Ellie Cavazos
Thursday 1-1:50pm
Kristin Conover
Media
Exposure: Glee Representation of
LGBTQ Youth
Media
representations are almost entirely negative if they surround sensitive issues
that rest on a social borderline. The LGBTQ community is a frequent target of
negative media exposure and affects every age group and subgroup within that
particular community. This exposure, although beneficial to casting a light on
the LGBTQ community, hinders social progress for the community instead of
aiding in their efforts. A reality TV series that incorporates gay and lesbian
issues alongside other prevalent topics on diversity is FOX network’s Glee. The show Glee takes place in an Ohio high school where teens, who are facing
angst among other stresses, meet to dance, sing, kumbaya together and, in that
fixed space, are not afraid to reveal their true selves. What surfaces is a seemingly
utopian perspective at the conclusion of every episode. The show has a very mediocre approach to the
issues of the LGBTQ community because it addresses them too lightly. The youth
of the gay and lesbian community is already associated to a certain kind of
flamboyance that the show tends to highlight on, taking away from the
seriousness of other LGBTQ issues. The show overexposes this community in a
fashion that’s far more dramatic than the reality of the pressures that exist
in LGBTQ individuals. Although Glee positively highlights teens battling social
and sexual differences, Glee misconstrues the immense and often times painful
process towards embracing the entirety of LGBTQ identity.
In Van Der
Meer’s article, “Gay bashing- a rite of passage?” he explains how youths of
Dutch origin recognize the social position of “homosexuals” and are already
conditioned to categorize others on a social hierarchical system based on
acceptance. Van Der Meer also explains how the gay community is outwardly
recognizable by their physical appearance, clothing, hairstyle and movements,
“Even when describing their victims as particularly big and strong, they
remained convinced that all gays are effeminate. Besides which gays are scared,
weak and cowardly: they immediately take to their heels; they do not hit back;
they never defend each other” (Van Der Meer p. 159).
For example, the character Kurt Hummel
in Glee doesn’t quite correspond with
his economic and social surroundings. His dad is not the figure of economic
success and Kurt fails to maintain a steady job, but yet his fashion statements
fall nothing short of donning big designer names. Because he is the so called
“gay” character in the show it is as if he has to have the most expensive and
high fashion name brand clothing. Kurt’s character upholds the insert gay
characteristic/pun line here, cookie cutter mold of the stereotypical
effeminate, and flamboyant gay male. However, the show fails to recognize that this
figure of a gay male is not the only one that exists. Why is it that the show
is insistent on perceiving the “gay” male as a character so closely associated
with feminine traits? Does it not take into account that being gay can also
mean appearing to blend in to the social eye as one who appears to take on a
masculine figure? Taking on a gay identity but at the same time being equally
afraid to come out and remaining in the “down low” category is explained in
John Barshaw and Lynn Letukas’s article, “The down low: Origins, risk
identification and intervention”, “The down low is a phenomenon consisting
predominately of men identifying as ‘heterosexual’ or ‘straight’ who engage in
sex with both men and women and fail to disclose same-sex behavior to other men
and/or women…” (Barnshaw and Letukas p. 83). Kurt’s outwardly confident character in the
show Glee undermines the other possibilities within the LGBTQ community. The
character revealed by this actor constricts other identities and, again, fails
to highlight or even introduce other sexual and gender identifications.
What is interesting about this show
however is how the students and staff are able to handle differences
optimistically. The show Glee is
successful when it brings to the forefront general issues facing the LGBTQ
community, but it does not fully capitulate on the diversity within this very
own community.
Bibliography
Barnshaw, John, and
Lynn Letukas. "The Low down on the down Low: Origins, Risk Identification
and Intervention." Health Sociology Review 19.4 (2010):
478-90. Web.
"FOX Affiliate:
Is ‘Glee’ Gay Teen Propaganda?" TIME.com. Web. 22 Feb. 2012.
<http://newsfeed.time.com/2011/05/08/fox-affiliate-is-glee-gay-teen-propaganda/>.
Van Der Meer, Theo.
"Gay Bashing- a Rite of Passage?" Culture, Health &
Sexuality 5.2 (2003): 153-65. Print.